I’ve never been great at including backgrounds in my comics, but I knew I needed to learn how toto help ground my graphic novel memoir in the real world.
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Week thirty one - My time in the Gong
In June I went to Wollongong to visit my mentor Pat Grant. For two whole weeks we would be hanging out, talking about my graphic novel and pulling apart my script. I was thrilled and terrified all at once (a fairly normal feeling for me).
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Week twenty seven - ADL --> MEL
An autobio comic about the annual pilgrimage to Festival of The Photocopier zine fair.
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Week nine - In which our hero meets her mentor for the the first time
In which our hero meets her mentor for the the first time.
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Hard to sit on, harder to draw.
Week seven - Packed for Success or #FoTP
Travelling hasn't always been my thing. Not against it by any means, I'm just more of a home-body. But there is one pilgrimage that I like to do every year to Melbourne’s biggest zine fair, Festival of the Photocopier.
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Following on from my last post about how the design of the characters in my graphic novel, Oh Brother, have changed over the 7-ish years I’ve been working on the book, this post is about my absolute favourite thing: drawing emotions!