In which our hero draws some maps


As part of the researching prep I've been doing for Oh Brother, I thought I should probably work on sense of place, something I've struggled with in the past. I mostly end up drawing talking head comics or just drawing labeled objects floating in space. I want people to read my book and without even realising it know they are in suburban South Australia, near the beach. Or at the very least, the burbs.

So I've been drawing up some maps of my childhood homes. I only had two and as a kid I always thought that was too many. I remember when dad told me that we were moving, I was bouncing on the trampoline at the time and I just stop bouncing and kind stood there, on the elasticated surface dumbfounded. 

Then I found out we were only moving two streets away and in the new place I would I far cooler room. Plus the guy who lived in it previously had carved a unicorn out of slate a stuck it on the wall. He also shot pigeons in the backyard, soooo yeah. 

Anyway, house number one, Balmoral Ave. They was no google earth image for my old house (once it was sold it was knocked and replaced by a dreadful unit type house - this is defs an objective view of the new house and has nothing to with someone knocking .down my childhood). So as there was no image available I had to go from memory and, even though the yard was long and large, I feel like my brain has made this map with a touch of nostalgia and a 9-year-olds perspective.  

This house also backed onto the neighbourhood park. Perfect suburban living for a kid. 

This house also backed onto the neighbourhood park. Perfect suburban living for a kid. 

Next up we have Somers St. It was even in the same postcode has Balmoral. It had a beautiful big weeping willow tree in the front yard (recently chopped down as it was unsafe) that house my first (and only) tree house. The roof was flat and perfect for sitting on. You climb up the house in various locations and to get onto it. There wasn't much yard (nowhere near as much as balmoral) but by the time we moved in I was becoming a teen and bigger bedroom was a much more exciting prospect. 

There were lots of strange room and additions to the house with each different family that lived in the house. This meant lots of different possibilities for music rooms, libraries, studies, art rooms. 

There were lots of strange room and additions to the house with each different family that lived in the house. This meant lots of different possibilities for music rooms, libraries, studies, art rooms. 

In the Somers street house, I was given the old lounge room (with one of the many additions a new lounge room was added leaving a rather large front room with air con - the only aircon in the house when we first moved in) much to my delight it was huge and filled possibilities! I would always (and still do) use my room, in fact any space I inhabit, as extension of me and what I'm thinking. You could not see the walls as every inch would be covered with movie tickets, pictures either drawn by me or artists that I loved and had cut out of magazines. When I moved out of parents home, the amount of bluetak (and peeled off paint -whoops) that we got off those walls, could have been used to put up all the gig posters in Adelaide for months. 

As these room were extensions of myself, like me, they would change and grow. Move around, get rigged into the haven of my insular teenage world. I would draw endless floor plans and use my feet to measure how big things were (I refuse tape measure for some unknown reason - impatience most probably) to see if they would fit in there newly designated homes. 

This new, ex-lounge, bedroom was amazing, It had hardwood floors, air-con and most importantly an old seventies cocktail bar! Which I swiftly transformed into my own version of the Three Broomsticks (a la Harry Potter). Mine was only called the two broomstick, due to lack of spare cleaning tools. One of which was actually a mop. Anyway, I loved the wormhole that was this bedroom and took great pride in making it the haven for all comics loving, music nerds who play sport too. Below are some of the many styles that my room has been in. 

Apart from the key - the above floor plans are eerily similar to the bedroom plans I was making since I was about 10. I love trying to sort things out unfortunately being tiny - I couldn't easily move furniture. Didn't mean I didn't try, much to the…

Apart from the key - the above floor plans are eerily similar to the bedroom plans I was making since I was about 10. I love trying to sort things out unfortunately being tiny - I couldn't easily move furniture. Didn't mean I didn't try, much to the dismay of my parents when they saw the scratches in the floorboards. 

And as a bonus - here is a picture of me out the front of the amazing willow tree just before it got chopped. I loved her so much! (note: the treehouse has been taken out because the tree had started to rip it apart with it's growing strength! Nature is amazing).

Talk to y'all soon. 

Gx

Packed for Success or #FoTP


Hard to sit on, harder to draw.

Hard to sit on, harder to draw.

Travelling hasn't always been my thing. Not against it by any means, I'm just more of a home-body. ANYWAY, as of last year me and the wonderful zinester Rebecca Sheedy (but I call her Bec) have kind of made this pilgrimage to The Festival of the Photocopier (FoTP) to meet zine nerds and sell our zines together. We are both quite terrible at peddling our personal wares and usually end up pedalling each other instead. 

So we made out way over to Melbourne for our zine heaven. We left Thursday evening for 5 days of no stop zine launches, bubble teas and trip to Daiso (the $2.80 shop - everything is literally $2.80). Know that I would be bring home a lot of zines (and tbh a truckload of adorable cheap stationary from Daiso), I knew I needed to pack smart. I only had carry-on so I planned my attack.

February the 14th (a.k.a Valentines day) was a super exciting day for zinesters everywhere for it was the date of THE FESTIVAL OF THE PHOTOCOPIER ZINE FAIR! My personal highlight of the FoTP as I love zines and being able to get new zines, make pals and meet the zine creators who I'm crushing on. Of course often I'm too scared to say anything to them but this year I did lot better than last year. 

Look at all my pretty new zines! I got quite a haul from the over 150 stall holders.

Look at all my pretty new zines! I got quite a haul from the over 150 stall holders.

Bec and Soph's feet at an exhibition all three of us were in.

Bec and Soph's feet at an exhibition all three of us were in.

The view of the city from Northcote was stun-tac-ular!

The view of the city from Northcote was stun-tac-ular!

We got to travel on mostly trains while we were in Melbs - which is great I far enjoy the energy of a train ride to that of tram or a bus. The comfort that it's on tracks and will stop at every stop. 

We got to travel on mostly trains while we were in Melbs - which is great I far enjoy the energy of a train ride to that of tram or a bus. The comfort that it's on tracks and will stop at every stop. 

Sellin' my wares to the good folks of Melbourne Town.

Sellin' my wares to the good folks of Melbourne Town.

SO. MANY. PEOPLE.

SO. MANY. PEOPLE.

My attempt at keeping a diary during the trip. Highly unsuccessful. I did keep dot point notes however. 

My attempt at keeping a diary during the trip. Highly unsuccessful. I did keep dot point notes however. 

Adelaide zinesters represent! Simon Gray and Rebecca Sheedy lookin' adorable. 

Adelaide zinesters represent! Simon Gray and Rebecca Sheedy lookin' adorable. 

We spent a good amount of time at the train station. 

We spent a good amount of time at the train station. 

I had a grand ole time in Melbourne and some how managed to get home not over the weight limit (planned packing ftw). Makin' new pals and seein' old ones. I even got to meet Mandy Ord (one of my mentors for Oh Brother) for the first time and I don't think I made (too much of) a fool of myself. But I'll tell you about meeting Mandy in another post!

As for now, be happy, drink tea and as always..

Stay Excellent, 

Gx

In which our hero shows off her her post-it collection


IMG_9886.JPG

I've used post-it notes for a while, mostly for writing out notes to myself that I then stick in whichever sketchbook I'm currently using, making my sketchbooks more like visual journals or really messy looking to do lists. 

But while I was at CAW comic camp last year one of the other wonderful artists, Sarah Catherine Firth, used post it notes to gather her stories, using certain colours for certain types of stories. This colour co-ordinated try gathering of course appealed to my organised/librarian side and I decided to give it a go for writing out Oh Brother. 

So here is a sneak peak of some of the stories that you might be seeing in my upcoming book!

This is all I've got so far but don't worry, I've got a lot more wall to fill. 

Oh and here's a picture I found in the depths of my computer files. I did it about 5 years ago I reckon. Post-it notes forever!

In which our hero draws her family


Family Sketches 1

So I realised the other day that, although I make mostly autobio comics, they mostly star me. Which meeeans that I really need to learn who to draw my brother (my co-star in this GN) and my parents (the most supportive supporting cast you could hope for). So that’s what I’ve been doing. 

Family Skecthes 2

I've been working from photos as well as memory. 

Family Sketches 3

I kept trying to put off doing these sketches (particularly weird poses and full bodies) as I find them really daunting but when I finished a sketch it was soooo satisfying. I'm glad that I'm finally getting into the swing of them. 

Sometimes the Sketches didn't turn out as well as I hoped they would. But that's a great way to learn what not to try and do next time.

 

I've been trying to draw more realistically at first and then use the proportions and poses and turn them more cartoon-y.

Trying out variations of my style to see what would work for the book. 

I've also been trying to start thinking about backgrounds and sense of place for all the stories I'm writing about. So below is my first attempt at doing a full photo. 

This is just an adorable photo of me and my childhood buddy Maria. I thought You'd like to see how fashionable I've always been.  xx

Tools of the trade


Uni-Pin Fineliners // I've loved Uni-Pins for a very long time. Cracking open a fresh pen and putting nib to paper for the first time is wonderful feeling. The work so smooth and clean and create that simple line I crave for my work. The illustration above is all done with Uni-Pins. 

Staedtler Mars Plastic Pen Eraser // I first saw these nifty devices in my early years of high school when I started using my allowance on things (mostly stationery) other than candy. It was also my "I want to be a spy" phase, so anything that didn't look like the thing it actually was was cool in my book. Turned out they were radical to use and the perfect travel eraser. The smaller eraser head meant that you can more accurately pin point the spots you want to erase. 

Pentel White Out // I've always loved using Pentel white out. I use to use the thinner handled white out pens, they were perfect for my weird drawing grip, unfortunately they stopped making them. I still don't love using white in my work and really only use it sparingly on my journal comics and never for my planned out comics (I fix everything on photoshop instead). 

Rembrandt Light Blue Pencil // These guys have saved my comics soul. I never you to pencil (lead or blues) but my main man, Owen, convinced me to give it a go and see how I liked it. I started using blue to pencil out my comics for before and boy howdy did my work improve. I had to search around for a little while to find the right pencil that worked with my fineliners but after trying out the Rembrandt Light Blue Pencil, I knew I found my favourite blue friend. 

Copic Markers // These dudes are still pretty new to my pencil case arsenal, so I'm still really figuring out how to use them. But I do love to using them for my journal comics (see Week One) when I care less about what the end product looks like as they are comics just for me. They give this wonderful boost of life to the colour to page. I'll let you know when I learn some tricks about these tricky textas. 

Last but not least is the:

Blackwing Peal Lead Pencil // This guy is the newest member of the family. A recommendation from the ever charming Mr. Campbell Whyte. I've been using him to write notes, sketches out ideas, pencil some pages. I still love my blue pencil for most of my comics work but this sharp customer (works best when sharp) is a handy guy when a blue lead just won't cut it. The Blackwing Pearl will not be leaving my side any time soon. Also the replaceable eraser at the end is sick.

Keep Drawin' friends!

xx